2016年12月28日 星期三

CHAPTER 13: INFORMATION BOOKS

GLOSSARY

Epiphany   (基督教)顯現節

KK [ɪˋpɪfənɪ]
DJ [iˋpifəni]

doggerel    打油詩;拙劣的詩

KK [ˋdɔgərəl]
DJ  [ˋdɔgərəl]


quarantine

 隔離;檢疫
KK
 
[ˋkwɔrən͵tin]
 
DJ
 
[ˋkwɔrənti:n]






orchard 果樹園,果樹林

KK[ˋɔrtʃɚd]
DJ[ˋɔ:tʃəd]

VAN 是貴族姓氏 (荷蘭人), Miffy 也是荷蘭人

no after sun 沒有西曬

comic strip 四格漫畫
chronc dease 慢性病

acute dease 急性病

epidemic   流行性,傳染的

KK[͵ɛpɪˋdɛmɪk]
DJ [͵epiˋdemik]


It's not encourage... 最好不要

Pro - in favor of 

intrigue   陰謀
KK [ɪnˋtrig]
DJ [inˋtri:g]

go coral 報佳音

cumulative song 每天遞增的歌

Example with two-line stanza[edit]

One of the most well-known examples of a cumulative song is the Christmas song entitled The Twelve Days of Christmas, which uses a two-line stanza, where the second line is cumulative, as follows:
On the first day of Christmas, my true love sent to me
A partridge in a pear tree.

On the second day of Christmas my true love sent to me
Two turtle doves and a partridge in a pear tree.

On the third day of Christmas, my true love sent to me
Three french hens, two turtle doves and a partridge in a pear tree.
and so on until
On the twelfth day of Christmas, my true love sent to me
Twelve drummers drumming, eleven pipers piping, ten lords a-leaping, nine ladies dancing, eight maids a-milking, seven swans a-swimming, six geese a-laying, five gold rings, four calling birds, three french hens, two turtle doves and a partridge in a pear tree.
The first gift (the partridge) is always sung to a "coda melody" phrase. For the first four verses, the additional gifts are all sung to a repeated standard melodic phrase. In the fifth verse, a different melody, with a change of tempo, is introduced for the five gold rings; and from this point on the first five gifts are always sung to a set of varied melodic phrases (with the partridge retaining its original coda phrase). Thence forward, the wording of each new gift is sung to the original standard melodic phrase before returning to the five gold rings.

How to teach the Christmas song? 


The vowel need to to longer. 

How to introduce the long story? 


Who are in the story?

What is the subject?

Do they need what they need ?

Talk about the central catalog/leading catalog. 

Storytelling needs to be slow. Once you are quiet, you will concentrate children's attention. 

Example book: 


The Wonderful Wizard of Oz


Plot summary[edit]
Dorothy is a young girl who lives with her Aunt Em and Uncle Henry and her little dog Toto on a Kansas farm. One day, Dorothy and Toto are caught up in a cyclone that deposits her farmhouse into Munchkin Country in the magical Land of Oz. The falling house has killed the Wicked Witch of the East, the evil ruler of the Munchkins. The Good Witch of the North arrives with the grateful Munchkins and gives Dorothy the magical Silver Shoes that once belonged to the witch. The Good Witch tells Dorothy that the only way she can return home is to go to the Emerald City and ask the great and powerful Wizard of Oz to help her. As Dorothy embarks on her journey, the Good Witch of the North kisses her on the forehead, giving her magical protection from harm.
On her way down the yellow brick road, Dorothy attends a banquet held by a Munchkin man named Boq. The next day, Dorothy frees the Scarecrow from the pole on which he is hanging, applies oil from a can to the rusted connections of the Tin Woodman, and meets the Cowardly Lion. The Scarecrow wants a brain, the Tin Woodman wants a heart, and the Cowardly Lion wants courage, so Dorothy encourages the three of them to journey with her and Toto to the Emerald City to ask for help from the Wizard. After several adventures, the travelers enter the gates of the Emerald City and meet the Guardian of the Gates, who asks them to wear green tinted spectacles to keep their eyes from being blinded by the city's brilliance. Each one is called to see the Wizard: Dorothy sees the Wizard as a giant head on a marble throne, the Scarecrow as a lovely lady in silk gauze, the Tin Woodman as a terrible beast, the Cowardly Lion as a ball of fire. The Wizard agrees to help them all if they kill the Wicked Witch of the West, who rules over Oz's Winkie Country. The Guardian warns them that no one has ever managed to defeat the witch.
The Wicked Witch of the West sees the travelers approaching with her one telescopic eye. She sends a pack of wolves to tear them to pieces, but the Tin Woodman kills them with his axe. She sends wild crows to peck their eyes out, but the Scarecrow kills them by breaking their necks. She summons a swarm of black bees to sting them, but they are killed trying to sting the Tin Woodman while the Scarecrow's straw hides the other three. She sends her Winkie soldiers to attack them, but the Cowardly Lion stands firm to repel them. Finally, she uses the power of the Golden Cap to send the winged monkeys to capture Dorothy, Toto, and the Cowardly Lion, unstuff the Scarecrow, and dent the Tin Woodman. Dorothy is forced to become the Wicked Witch's personal slave, while the witch schemes to steal Dorothy's Silver Shoes.

The Wicked Witch melts, from the W. W. Denslow illustration of the first edition (1900).
The Wicked Witch successfully tricks Dorothy out of one of her Silver Shoes. Angered, Dorothy throws a bucket of water at her and is shocked to see the witch melt away. The Winkies rejoice at being freed of the witch's tyranny and help restuff the Scarecrow and mend the Tin Woodman. They ask the Tin Woodman to become their ruler, which he agrees to do after helping Dorothy return to Kansas. Dorothy finds the Golden Cap and summons the Winged Monkeys to carry her and her companions back to the Emerald City. The King of the Winged Monkeys tells how he and the other monkeys are bound by an enchantment to the cap by the sorceress Gayelette from the North, and that Dorothy may use the cap to summon the Winged Monkeys two more times.
When Dorothy and her friends meet the Wizard of Oz again, Toto tips over a screen in a corner of the throne room that reveals the Wizard. He sadly explains he is a humbug—an ordinary old man who, by a hot air balloon, came to Oz long ago from Omaha. The Wizard provides the Scarecrow with a head full of bran, pins, and needles ("a lot of bran-new brains"), the Tin Woodman with a silk heart stuffed with sawdust, and the Cowardly Lion a potion of "courage". Their faith in the Wizard's power gives these items a focus for their desires. The Wizard decides to take Dorothy and Toto home and leave the Emerald City. At the send-off, he appoints the Scarecrow to rule in his stead, which he agrees to do after Dorothy returns to Kansas. Toto chases a kitten in the crowd and Dorothy goes after him, but the tethers of the balloon break and the Wizard floats away.
Dorothy summons the Winged Monkeys to carry her and Toto home, but they explain they cannot cross the desert surrounding Oz. The Soldier with the Green Whiskers informs Dorothy that Glinda the Good Witch of the South may be able to help her return home, so the friends begin their journey to see Glinda, who lives in Oz's Quadling Country. On the way, the Cowardly Lion kills a giant spider who is terrorizing the animals in a forest. The animals ask the Cowardly Lion to become their king, which he agrees to do after helping Dorothy return to Kansas. Dorothy summons the Winged Monkeys a third time to fly them over a mountain to Glinda's palace. Glinda greets the travelers and reveals that the Silver Shoes Dorothy wears can take her anywhere she wishes to go. Dorothy embraces her friends, all of whom will be returned to their new kingdoms through Glinda's three uses of the Golden Cap: the Scarecrow to the Emerald City, the Tin Woodman to the Winkie Country, and the Lion to the forest; after which the cap shall be given to the King of the Winged Monkeys, freeing them. Dorothy takes Toto in her arms, knocks her heels together three times, and wishes to return home. Instantly, she begins whirling through the air and rolling through the grass of the Kansas prairie, up to her Kansas farmhouse. Dorothy runs to her Aunt Em, saying "I'm so glad to be at home again!"


Information Book

Information book is regarding the "fact".

Example book: 

The Quest for the Tree Kangaroo: An Expedition to the Cloud Forest of New Guinea (Scientists in the Field Series) by Sy Montgomery 




It looks like a bear, but isn’t one. It climbs trees as easily as a monkey— but isn’t a monkey, either. It has a belly pocket like a kangaroo, but what’s a kangaroo doing up a tree? Meet the amazing Matschie’s tree kangaroo, who makes its home in the ancient trees of Papua New Guinea’s cloud forest. And meet the amazing scientists who track these elusive animals.
This title has been selected as a Common Core Text Exemplar (Grades 4-5, Informational Texts)






The Man Who Walked Between the Towers 


The story of a daring tightrope walk between skyscrapers, as seen in Robert Zemeckis' The Walk, starring Joseph Gordon-Levitt.
In 1974, French aerialist Philippe Petit threw a tightrope between the two towers of the World Trade Center and spent an hour walking, dancing, and performing high-wire tricks a quarter mile in the sky. This picture book captures the poetry and magic of the event with a poetry of its own: lyrical words and lovely paintings that present the detail, daring, and--in two dramatic foldout spreads-- the vertiginous drama of Petit's feat.
The Man Who Walked Between the Towers is the winner of the 2004 Caldecott Medal, the winner of the 2004 Boston Globe - Horn Book Award for Picture Books, and the winner of the 2006 Carnegie Medal for Excellence in Children's Video.





Always (1989 film)

Always is a 1989 romantic comedy-drama film directed by Steven Spielberg, and starring Richard DreyfussHolly HunterJohn Goodman, introducing Brad Johnson and featuring Audrey Hepburn's cameo in her final film appearance. The film was distributed by Universal Studios.
Always is a remake of the 1943 romantic drama A Guy Named Joe, although Spielberg did not treat the film as a direct scene-by-scene repeat of the earlier World War II melodrama. The main departure in plot is altering the action to that of a modern aerial firefighting operation.[3] The film, however, follows the same basic plot line: the spirit of a recently dead expert pilot mentors a newer pilot, while watching him fall in love with his surviving girlfriend.[4] The names of the four principal characters of the earlier film are all the same, with the exception of the Ted Randall character, who is called Ted "Baker" in the remake and Pete's last name is "Sandich", instead of "Sandidge".

Plot[edit]

Pete Sandich (Dreyfuss) is an aerial firefighter, flying a war-surplus A-26 bomber dropping fire retardant slurry to put out forest wildfires. His excessive risk taking in the air deeply troubles his girlfriend, Dorinda Durston (Hunter), a pilot who doubles as a dispatcher, and is also of concern to his best friend, Al Yackey (Goodman), a fellow fighter. On one flight, Pete makes one extra drop, runs out of fuel, and barely manages to glide onto the runway.
Pete shrugs off his brush with death and surprises Dorinda with a stunning white dress for her birthday, although it turns out to be the wrong day. Irate at first, she eventually puts on the dress anyway, and the couple dance to their song, "Smoke Gets in Your Eyes".
Al sits Pete down for a beer and likens their situation to wartime England (Quonset huts, warm beer, and hotshot pilots flying bombers) in order to emphasize the key difference: "Pete, there ain't no war here. And this is why you're not exactly a hero for taking these chances you take." Al suggests Pete take a safer job that has just opened up, training firefighting pilots in Flat Rock, Colorado. Pete flatly refuses to consider it. However, when Dorinda confronts Pete and tells him that she hates worrying about him all the time, he decides to take Al's advice.
Pete takes one last mission, despite Dorinda's gloomy premonition. While on a bombing run, Al's Catalina water bomber hits a burning tree and an engine catches fire. When Al's fire suppression equipment fails to put it out, it looks like he is doomed. In desperation, Pete makes a dangerously steep dive to skillfully douse the engine with slurry. He saves Al, but in trying to recover from his dive, his bomber flies through the forest fire. Pete manages to pull up and climb back up to a safe altitude beside Al, but a small engine fire spreads to his fuel tank, and his aircraft explodes.
The next thing he knows, Pete is getting his hair cut in a forest clearing. His supernatural barber, Hap (Audrey Hepburn), explains Pete's new role. Just as he was inspired when he needed it most, it is now his turn to provide Spiritus ("the divine breath") to others. As she puts it, “They hear you inside their own minds as if it were their thoughts.”
Six months have elapsed in the real world. Pete is assigned to guide a new firefighting pilot, Ted Baker (Johnson). To Pete's anguish, Ted falls in love with Dorinda, and she begins to respond and recover from her mourning. Pete selfishly tries to sabotage the growing relationship. The next day, Pete wakes up, back in the forest with Hap. She reminds him his life is over, and also he was sent back not just to inspire Ted, but to say good-bye to Dorinda.
Ted, with Pete's inspiration, puts together an extremely dangerous mission to rescue a ground crew of firefighters surrounded by flames. Unable to bear the thought of losing another loved one, Dorinda steals Ted's aircraft to do the job herself. Pete, unseen to Dorinda, tries to talk her down, but she won't listen. Dorinda completes the dangerous task, with Pete's unseen help. On the way back, he tells her all the things he wanted to say, but never got around to while he was alive.
Dorinda is forced to make an emergency water landing on the lake. As the aircraft sinks into the lake and the cabin fills with water, Dorinda appears reluctant to try to escape until Pete appears before her, extending his hand. She takes his hand and they swim to the surface. As Dorinda wades ashore (now alone) to the waiting Ted and Al, Pete releases her heart so that Ted can take his place, saying, “That's my girl … and that's my boy.”
As Dorinda and Ted embrace, Pete smiles and walks the other way down the runway to take his place in Heaven.


An American Plague: The True and Terrifying Story of the Yellow Fever Epidemic of 1793 (Newbery Honor Book) by Jim Murphy



1793, Philadelphia. The nation's capital and the largest city in North America is devastated by an apparently incurable disease, cause unknown . . .

In a powerful, dramatic narrative, critically acclaimed author Jim Murphy describes the illness known as yellow fever and the toll it took on the city's residents, relating the epidemic to the major social and political events of the day and to 18th-century medical beliefs and practices. Drawing on first-hand accounts, Murphy spotlights the heroic role of Philadelphia's free blacks in combating the disease, and the Constitutional crisis that President Washington faced when he was forced to leave the city--and all his papers--while escaping the deadly contagion. The search for the fever's causes and cure, not found for more than a century afterward, provides a suspenseful counterpoint to this riveting true story of a city under siege.

An American Plague's numerous awards include a Sibert Medal, a Newbery Honor, and designation as a National Book Award Finalist. Thoroughly researched, generously illustrated with fascinating archival prints, and unflinching in its discussion of medical details, this book offers a glimpse into the conditions of American cities at the time of our nation's birth while drawing timely parallels to modern-day epidemics. Bibliography, map, index.



Twelfth Night


Malvolio courts a bemused Olivia, while Maria covers her amusement, in an engraving by R. Staines after a painting by Daniel Maclise.
Twelfth Night, or What You Will[1] is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as a boy) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion,[2] with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar. The play was not published until its inclusion in the 1623 First Folio.

Setting[edit]

Illyria, the setting of Twelfth Night, is important to the play's romantic atmosphere. Illyria was an ancient region of the Western Balkans whose coast (the eastern coast of the Adriatic Sea which is the only part of ancient Illyria which is relevant to the play) covered (from north to south) the coasts of modern-day SloveniaCroatiaBosnia and HerzegovinaMontenegro and Albania. It included the city state of the Republic of Ragusa which has been proposed as the setting.[3] Illyria may have been suggested by the Roman comedy Menaechmi, the plot of which also involves twins who are mistaken for each other. Illyria is also referred to as a site of pirates in Shakespeare's earlier play, Henry VI, Part 2. The names of most of the characters are Italian but some of the comic characters have English names. Oddly the "Illyrian" lady Olivia has an English uncle, Sir Toby Belch. It has been noted that the play's setting also has other English allusions such as Viola's use of "Westward ho!", a typical cry of 16th-century London boatmen, and also Antonio's recommendation to Sebastian of "The Elephant" as where it is best to lodge in Illyria; The Elephant was a pub not far from the Globe Theatre.[4]

Synopsis[edit]

Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a captain. She loses contact with her twin brother, Sebastian, whom she believes to be drowned. Disguising herself as a young man under the name Cesario, she enters the service of Duke Orsino through the help of the sea captain who rescues her. Duke Orsino has convinced himself that he is in love with Olivia, whose father and brother have recently died, and who refuses to see charming things, be in the company of men, and entertain love or marriage proposals from anyone, the Duke included, until seven years have passed. Duke Orsino then uses 'Cesario' as an intermediary to profess his passionate love before Olivia. Olivia, however, forgetting about the seven years in his case, falls in love with 'Cesario', as she does not realize the Duke's messenger is a woman in disguise. In the meantime, Viola has fallen in love with the Duke Orsino, creating a love triangle between Duke Orsino, Olivia and Viola: Viola loves Duke Orsino, Duke Orsino loves Olivia, and Olivia loves Viola disguised as Cesario.

A depiction of Olivia by Edmund Leighton from The Graphic Gallery of Shakespeare's Heroines
In the comic subplot, several characters conspire to make Olivia's pompous steward, Malvolio, believe that Olivia has fallen for him. This involves Olivia's uncle, Sir Toby Belch; another would-be suitor, a silly squire named Sir Andrew Aguecheek; her servants Maria and Fabian; and her fool, Feste. Sir Toby and Sir Andrew engage themselves in drinking and revelry, thus disturbing the peace of Olivia's house until late into the night, prompting Malvolio to chastise them. Sir Toby famously retorts, "Dost thou think, because thou art virtuous, there shall be no more cakes and ale?" (Act II, Scene III) Sir Toby, Sir Andrew, and Maria are urged to plan revenge on Malvolio. They convince Malvolio that Olivia is secretly in love with him by planting a love letter, written by Maria in Olivia's hand. It asks Malvolio to wear yellow stockings cross-gartered, to be rude to the rest of the servants, and to smile constantly in the presence of Olivia. Malvolio finds the letter and reacts in surprised delight. He starts acting out the contents of the letter to show Olivia his positive response. Olivia is shocked by the changes in Malvolio and leaves him to the contrivances of his tormentors. Pretending that Malvolio is insane, they lock him up in a dark chamber. Feste visits him to mock his insanity, both disguised as a priest and as himself.
Meanwhile, Sebastian (who had been rescued by his friend Antonio, a brigand who Orsino wants arrested) arrives on the scene, which adds confusion of mistaken identity. Mistaking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. Finally, when 'Cesario' and Sebastian appear in the presence of both Olivia and Orsino, there is more wonder and confusion at their similarity. At this point, Viola reveals her disguise and that Sebastian is her twin brother. The play ends in a declaration of marriage between Duke Orsino and Viola, and it is learned that Sir Toby has married Maria. Malvolio swears revenge on his tormentors and stalks off, but Orsino sends Fabian to placate him.




The Help (film)


The Help is a 2011 American period drama film directed and written by Tate Taylor, and adapted from Kathryn Stockett's 2009 novel of the same name. The film stars Jessica ChastainViola DavisBryce Dallas HowardAllison JanneyOctavia Spencer, and Emma Stone. The film and novel recount the story of young white woman and aspiring journalist Eugenia "Skeeter" Phelan. The story focuses on her relationship with two black maids, Aibileen Clark and Minny Jackson, during the Civil Rights era in 1962 Jackson, Mississippi. In an attempt to become a legitimate journalist and writer, Skeeter decides to write a book from the point of view of the maids—referred to as "the help"— exposing the racism they are faced with as they work for white families.
DreamWorks Pictures acquired the screen rights to Stockett's novel in March 2010, and quickly commissioned the film into production with Chris ColumbusMichael Barnathan, and Brunson Green as producers. The film's casting began later that month, with principal photography following four months after in Mississippi.
Touchstone Pictures released The Help worldwide, with a general theatrical release in North America on August 10, 2011. The film was a critical and commercial success; receiving positive reviews and grossing $216 million in worldwide box office.[1] The Help received four Academy Award nominations including Best PictureBest Actress for Davis, and Best Supporting Actress for both Chastain and Spencer, with the latter winning the award. The film also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.

Plot[edit]

In 1963 Jackson, Mississippi, Aibileen Clark is a black maid who raises the children of Elizabeth Leefolt, a white woman suffering from postpartum depression, who refuses to acknowledge her daughter Mae Mobley other than by disciplining her. Aibileen's best friend is Minny Jackson, an outspoken black maid who works for Hilly Holbrook's senile mother, Mrs. Walters. While Minny may have an outspoken attitude, she has won favor with her great cooking skills. Eugenia "Skeeter" Phelan is a young white woman returning home after graduating from the University of Mississippi[2] to discover that her mother Charlotte has fired her childhood nanny and maid Constantine.
Much to her mother's chagrin, Skeeter aspires to have a successful writing career. After spending time with Aibileen, forward-thinking Skeeter becomes increasingly disgusted with the attitudes and poor treatment of her white socialite friends towards their "help" (they even begin campaigning to require the maids to only use the restroom in dingy, shabby, and non-air conditioned outhouses in the extreme heat and exposed to the elements, with Hilly saying that "[Black people] carry different diseases.") and decides to write about the experiences of their housekeepers. The maids are reluctant to comply, afraid of retribution from their employers and the Anti-Civil Rights movement, but Aibileen eventually agrees, becoming emotionally attached to the project as it allows her to find closure on the death of her son four years earlier. Minny also complies after Hilly fires her for using the guest-bathroom and refusing to go out in tornado weather to use the help's toilet, and later makes false claims that Minny had been fired for stealing, making it nearly impossible for her to get new employment.
Minny eventually finds work with working-class Celia Foote, who is married to wealthy socialite (and former beau of Hilly) Johnny Foote. Celia is starved for friendship due to Hilly's efforts to ensure she remains a social pariah. Celia informs Minny that she's pregnant and befriends her over cooking lessons, while hiding the fact that she has hired a maid from Johnny. The relationship between Celia and Minny deepens further after Celia miscarries.
Skeeter submits the draft book to Harper & Row. Her editor, Elaine Stein, advises her that more maids' stories need to be included. Following the brutal arrest of Yule May, Hilly's replacement maid, more maids decide to offer their insight to Skeeter.
Following the assassination of Medgar Evers, Skeeter, Aibileen, and Minny worry that some maids and families will be recognized in the book. Minny, as a form of insurance, reveals her "Terrible Awful" story. In a fit of pique over being fired and having her reputation damaged by Hilly's lies, Minny baked her own excrement into a chocolate pie for Hilly. Hilly ate two slices before Minny told her what was in it, as she prevented Mrs. Walters from having a slice. Minny predicts its inclusion will keep the other maids safe from retribution, as Hilly will wield her social influence to convince everyone that the story did not take place in Jackson to protect her own reputation.
With the book almost finished, Skeeter confronts her mother about the firing of Constantine. Charlotte reveals that during a lunch with the local chapter of the Daughters of America, Constantine's daughter Rachel arrived and embarrassed Charlotte by disobeying her order to enter through the kitchen. In order to save face, Charlotte fired Constantine and ordered her and Rachel to leave immediately. Afterward, Rachel took Constantine home with her to Chicago. Charlotte had every intention of bringing Constantine back, but by the time she sent her son to bring her back, Constantine had died.
The book, published anonymously, is a success. Minny confesses about the Terrible Awful to Celia and Hilly does everything in her power to protect her reputation when she notices the Terrible Awful in the book. She becomes unhinged when a contribution from Celia to one of Hilly's charitable works is made out to "Two Slice Hilly." She drives intoxicated to the Phelan plantation to confront Skeeter and inform Charlotte about her daughter's "hippie ways". Charlotte implies that she already knows that Hilly is the subject of the story and orders her off the property. Charlotte and Skeeter reconcile, and Charlotte offers to help Skeeter prepare to move to Manhattan where she has been offered a job with Harper & Row.
Johnny reveals that he knows that Minny has been helping Celia and that Celia had informed him of the babies she miscarried. Johnny and Celia inform Minny she has a job with them for as long as she wants. This kindness gives Minny the courage to leave her abusive husband and take her children to live with the Footes.
Hilly returns to her old ways. Since she cannot expose herself as the subject in the book, Hilly attempts to frame Aibileen for theft and, after pressuring weak-willed Elizabeth into silence, tells Aibileen that she is fired. Aibileen condemns Hilly as a godless, vindictive woman. Defeated and humiliated, Hilly breaks down in tears and leaves. After saying farewell to Mae Mobley, Aibileen leaves for a new life, reflecting on her desire to become a writer.

2016年12月21日 星期三

CHAPTER 12: BIOGRAPHY

GLOSSARY:


historical site: 歷史古蹟

dark house: 黑馬  (unexpected)


spring field: 原名泉水鎮, 後來改為春田鎮


tweaking - highlight


wonder - amazing me 


odd - strange/pecelier  奇特的, 古怪的


whooping, hooting, howling 

wailing, groaning, growing 4



Lincoln: A Photobiography (Houghton Mifflin social studies) by Russell Freedman

https://www.amazon.com/Lincoln-Photobiography-Houghton-Mifflin-studies/dp/0395518482

Abraham Lincoln stood out in a crowd as much for his wit and rollicking humor as for his height. This Newbery Medal-winning biography of our Civil War president is warm, appealing, and illustrated with dozens of carefully chosen photographs and prints.
Russell Freedman begins with a lively account of Abraham Lincoln's boyhood, his career as a country lawyer, and his courtship and marriage to Mary Todd. Then the author focuses on the presidential years (1861 to 1865), skillfullly explaining the many complex issues Lincoln grappled with as he led a deeply divided nation through the Civil War. The book's final chapter is a moving account of that tragic evening in Ford's Theatre on April 14, 1865. Concludes with a sampling of Lincoln writings and a detailed list of Lincoln historical sites.
This title has been selected as a Common Core Text Exemplar (Grades 2-3, Read Aloud Informational Text).



National Treasure: Book of Secrets
National Treasure: Book of Secrets (released on home video as National Treasure 2: Book of Secrets) is a 2007 mystery adventure film directed by Jon Turteltaub and produced by Jerry Bruckheimer. It is a sequel to the 2004 film National Treasure and is the second part of the National Treasure franchise. The film stars Nicolas CageDiane KrugerJustin BarthaJon VoightHarvey KeitelEd HarrisBruce Greenwood, and Helen Mirren.

Plot[edit]

Five days after the end of the Civil WarJohn Wilkes Booth and Michael O'Laughlen, both members of the Knights of the Golden Circle (KGC), enter a tavern and approach Thomas Gates to decode a message. Thomas recognizes the message as using the Playfair cipher and begins to translate it. While he does so, Booth leaves for Ford's Theatre to assassinate President Abraham Lincoln. Thomas solves the puzzle and realizes the men are still loyal to the Confederacy. A fight breaks out, and Thomas rips several pages from the diary and throws them in the fireplace. Thomas is shot, and the gunman retrieves only a page fragment.
Over 140 years later, Ben Gates is telling his great-great-grandfather's story at a Civilian Heroes conference. Black market antiquities dealer, Mitch Wilkinson, shows one of the 18 missing pages of John Wilkes Booth's diary, with Thomas Gates' name written on it, convincing everyone that Thomas was not only a conspirator, but the grand architect of the Lincoln assassination. Ben sets out to prove the innocence of Thomas.
Using spectral imaging, Ben, his estranged girlfriend Abigail Chase, and friend Riley Poole discover a cipher pointing to Édouard Laboulaye, hidden on the back of the diary page. Ben and Riley travel to Paris, where they find a clue engraved on the torch of the scale model of the Statue of Liberty, referring to the two Resolute desks.
Ben and Riley then head to London to look at the desk at Buckingham Palace and Abigail shows up, unannounced. From the Queen's desk, he obtains an ancient wooden plank. Meanwhile, Wilkinson broke into Patrick Gates' house and cloned Patrick's cell phone, in order to track Ben's whereabouts. Wilkinson eventually obtains the wooden plank, but not before Ben manages to photograph the symbols carved into the plank.
At Ben's insistence, Patrick reluctantly asks his ex-wife and Ben's mother, Dr. Emily Appleton, for help in translating the symbols. She does so, but points out that some of the glyphs are partial, leading Ben to conclude that another plank must be hidden in the other Resolute desk, located in the Oval Office.
Ben and Abigail coax Abigail's new love interest, Connor, a curator for the White House, into letting them into the office to see the desk. Ben discovers that the second plank is missing, but he does find a stamp bearing the seal of the "President's Secret Book". Riley tells Ben that the Book of Secrets contains documents collected "by Presidents, for Presidents' eyes only", covering such controversial subjects as the JFK assassinationWatergate, and Area 51.
Ben crashes the President's birthday party at Mount Vernon to convince the President to follow him into a secret tunnel under the House, where he confronts him about the book. The President sympathetically warns Ben that his actions will be interpreted as an attempt to kidnap the President and Ben is now wanted for committing a federal offense. Ben convinces the President to reveal the location of the book, which is at the Library of Congress.
In the book, Ben finds a picture of the missing plank from the desk and an entry by President Coolidge, who found the plank in 1924, had it destroyed, and commissioned Gutzon Borglum to carve Mount Rushmore to erase the map's landmarks in order to protect the treasure. However, FBI Agent Sadusky tracks Ben to the Library and the three narrowly escape capture.
Ben, Riley, Abigail, and Patrick then head to Mount Rushmore, where they meet Mitch, who has kidnapped Ben's mother, Emily. Mitch helps them find the entrance of a cave, containing the legendary Native American city of gold, Cíbola. Once inside, they encounter several traps and everyone gets separated. Eventually, they find the city of solid gold underneath Mount Rushmore and it begins flooding with water. In order to get out alive, one person has to stay behind to hold open the door to the tunnel. After a struggle and Ben's attempt to sacrifice himself, Mitch ends up staying behind and asking Ben to give him the credit for finding the treasure.
Ben clears his family's name with the discovery and is cleared of all charges when the President tells everyone that Ben saved his life. Ben also ensures Mitch receives joint credit for the find. At the very end, the President mentions the favor he asked of Ben when he gave him the location of the Book; implying that a 3rd movie would be forthcoming.



So You Want to Be President?


https://www.amazon.com/So-You-Want-Be-President/dp/0399243178

This new version of the Caldecott-winning classic by illustrator David Small and author Judith St. George is updated with current facts and new illustrations to include our forty-second president, George W. Bush. There are now three Georges in the catalog of presidential names, a Bush alongside the presidential family tree, and a new face on the endpaper portraiture.
Hilariously illustrated by Small, this celebration by St. George shows us the foibles, quirks and humanity of forty-two men who have risen to one of the most powerful positions in the world. Perfect for this election year--and every year!






Elvis Presley


Presley was born in Tupelo, Mississippi, as a twinless twin—his brother was stillborn. When he was 13 years old, he and his family relocated to Memphis, Tennessee. His music career began there in 1954, when he recorded a song with producer Sam Phillips at Sun Records. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was an early popularizer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and bluesRCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed the singer for more than two decades. Presley's first RCA single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the United States. He was regarded as the leading figure of rock and roll after a series of successful network television appearances and chart-topping records. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines that coincided with the dawn of the Civil Rights Movement, made him enormously popular—and controversial.Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977) was an American singer and actor. Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as "the King of Rock and Roll", or simply, "the King".
In November 1956, he made his film debut in Love Me Tender. In 1958, he was drafted into military service. He resumed his recording career two years later, producing some of his most commercially successful work before devoting much of the 1960s to making Hollywood films and their accompanying soundtrack albums, most of which were critically derided. In 1968, following a seven-year break from live performances, he returned to the stage in the acclaimed televised comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley was featured in the first globally broadcast concert via satellite, Aloha from Hawaii. Several years of prescription drug abuse severely damaged his health, and he died in 1977 at the age of 42.
Presley is one of the most celebrated and influential musicians of the 20th century. Commercially successful in many genres, including pop, blues and gospel, he is the best-selling solo artist in the history of recorded music,[5][6][7][8][excessive citations] with estimated record sales of around 600 million units worldwide.[9] He won three Grammys, also receiving the Grammy Lifetime Achievement Award at age 36, and has been inducted into multiple music halls of fame.

Artistry

Influences

Presley's earliest musical influence came from gospel. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them."[329] In Memphis, Presley frequently attended all-night gospel singings at the Ellis Auditorium, where groups such as the Statesmen Quartet led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act:
The Statesmen were an electric combination ... featuring some of the most thrillingly emotive singing and daringly unconventional showmanship in the entertainment world ... dressed in suits that might have come out of the window of Lansky's. ... Bass singer Jim Wetherington, known universally as the Big Chief, maintained a steady bottom, ceaselessly jiggling first his left leg, then his right, with the material of the pants leg ballooning out and shimmering. "He went about as far as you could go in gospel music," said Jake Hess. "The women would jump up, just like they do for the pop shows." Preachers frequently objected to the lewd movements ... but audiences reacted with screams and swoons.[330]
As a teenager, Presley's musical interests were wide-ranging, and he was deeply informed about African American musical idioms as well as white ones (see "Teenage life in Memphis"). Though he never had any formal training, he was blessed with a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings in 1954 at the age of 19. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues.[331] At a press conference the following year, he proudly declared, "I know practically every religious song that's ever been written."[149]

Musical style and genres

Presley was a central figure in the development of rockabilly, according to music historians. Katherine Charlton even calls him "rockabilly's originator",[332] though Carl Perkins has explicitly stated that "[Sam] Phillips, Elvis, and I didn't create rockabilly."[333] and, according to Michael Campbell, "Bill Haley recorded the first big rockabilly hit."[334] "It had been there for quite a while", says Scotty Moore. "Carl Perkins was doing basically the same sort of thing up around Jackson, and I know for a fact Jerry Lee Lewis had been playing that kind of music ever since he was ten years old."[335] However, "Rockabilly crystallized into a recognizable style in 1954 with Elvis Presley's first release, on the Sun label", writes Craig Morrison.[336] Paul Friedlander describes the defining elements of rockabilly, which he similarly characterizes as "essentially ... an Elvis Presley construction": "the raw, emotive, and slurred vocal style and emphasis on rhythmic feeling [of] the blues with the string band and strummed rhythm guitar [of] country".[337] In "That's All Right", the Presley trio's first record, Scotty Moore's guitar solo, "a combination of Merle Travis–style country finger-picking, double-stop slides from acoustic boogie, and blues-based bent-note, single-string work, is a microcosm of this fusion."[337]
At RCA, Presley's rock and roll sound grew distinct from rockabilly with group chorus vocals, more heavily amplified electric guitars[338] and a tougher, more intense manner.[339] While he was known for taking songs from various sources and giving them a rockabilly/rock and roll treatment, he also recorded songs in other genres from early in his career, from the pop standard "Blue Moon" at Sun to the country ballad "How's the World Treating You?" on his second LP to the blues of "Santa Claus Is Back In Town". In 1957, his first gospel record was released, the four-song EP Peace in the Valley. Certified as a million seller, it became the top-selling gospel EP in recording history.[340] Presley would record gospel periodically for the rest of his life.
After his return from military service in 1960, Presley continued to perform rock and roll, but the characteristic style was substantially toned down. The reason why the music from this period lacks the drama from his Fifties recordings, critic Dave Marsh writes, is "because what we're hearing is not genius discovering itself but the sound of genius at work."[343] His first post-Army single, the number one hit "Stuck on You", is typical of this shift. RCA publicity materials referred to its "mild rock beat"; discographer Ernst Jorgensen calls it "upbeat pop".[344] The modern blues/R&B sound captured so successfully on Elvis Is Back! was essentially abandoned for six years until such 1966–67 recordings as "Down in the Alley" and "Hi-Heel Sneakers",[345] though Marsh holds that while he may have recorded few blues songs in the early to middle Sixties, "blues informs almost everything here."[343] The singer's output during most of the 1960s emphasized pop music, often in the form of ballads such as "Are You Lonesome Tonight?", a number one in 1960. While that was a dramatic number, most of what Presley recorded for his film soundtracks was in a much lighter vein.[346] Notable numbers in other genres are the No. 1 hits "It's Now or Never" of 1960, based on the Italian aria "O Sole Mio" and concluding with a "full-voiced operatic cadence," [347] and the 1962 hit "She's Not You" which "integrates the Jordanaires so completely, it's practically doo-wop."[343]
While Presley performed several of his classic ballads for the '68 Comeback Special, the sound of the show was dominated by aggressive rock and roll. He would record few new straight-ahead rock and roll songs thereafter; as he explained, they were "hard to find".[348] A significant exception was "Burning Love", his last major hit on the pop charts. Like his work of the 1950s, Presley's subsequent recordings reworked pop and country songs, but in markedly different permutations. His stylistic range now began to embrace a more contemporary rock sound as well as soul and funk. Much of Elvis In Memphis, as well as "Suspicious Minds", cut at the same sessions, reflected his new rock and soul fusion. In the mid-1970s, many of his singles found a home on country radio, the field where he first became a star.[349]

Vocal style and range

The general development of Presley's voice is described by critic Dave Marsh as "A voice, high and thrilled in the early days, lower and perplexed in the final months."[350] Marsh credits Presley with the introduction of the "vocal stutter" on 1955's "Baby Let's Play House."[351] When on "Don't Be Cruel" Presley "slides into a 'mmmmm' that marks the transition between the first two verses," he shows "how masterful his relaxed style really is."[352] Marsh describes the singing on "Can't Help Falling in Love" to be of "gentle insistence and delicacy of phrasing," with the line "'Shall I stay'" pronounced as if the words are fragile as crystal."[353] On the operatic "It's Now or Never" Presley "was reaching for something more than he had ever attempted before,"[347] and, according to discographer Jorgensen, later the same year the melody to "Surrender", a number also based on an Italian original, "Torna A Sorrento", "required an even greater demonstration of vocal powers."[354]
Jorgensen calls the 1966 recording of "How Great Thou Art" "an extraordinary fulfillment of his vocal ambitions," as Presley had "crafted for himself an ad-hoc arrangement in which he took every part of the four-part vocal, from [the] bass intro to the soaring heights of the song's operatic climax," in the process becoming "a kind of one-man quartet."[355] Guralnick finds "Stand By Me" from the same sessions "a beautifully articulated, almost nakedly yearning performance," but, by contrast, feels that Presley reaches beyond his powers on "Where No One Stands Alone" on which "he was reduced to a kind of inelegant bellowing to push out a sound" that Jake Hess would have no problem with. Hess himself thought that while others may have a voice as great or greater than Presley's, "he had that certain something that everyone searches for all during their lifetime."[356] Guralnick attempts to pinpoint that something: "The warmth of his voice, his controlled use of both vibrato technique and natural falsetto range, the subtlety and deeply felt conviction of his singing were all qualities recognizably belonging to his talent but just as recognizably not to be achieved without sustained dedication and effort."[357]
Presley's singing to his own "necessarily limited, both rhythmically and melodically," piano accompaniment, such as can be heard on the 1967 recording of "You'll Never Walk Alone", for Guralnick are always special occasions, because "it was always a measure of his engagement when he sat down at the keyboard to play."[358]Describing his piano technique as "staccato style,"[359] Jorgensen finds that on "Without Love" from the 1969 sessions, "his gospel-flavored treatment took it to a level of spirituality rarely matched in his career."[360] Presley also played the instrument on the "impassioned version" of the sessions's next song, "I'll Hold You in My Heart," of which Guralnick writes that "there is something magical about the moment that only the most inspired singing can bring about, as Elvis loses himself in the music, words no longer lend themselves to literal translation, and singer and listener both are left emotionally wrung out by the time the song finally limps to an end."[361]
Marsh praises his 1968 reading of "U.S. Male", "bearing down on the hard guy lyrics, not sending them up or overplaying them but tossing them around with that astonishingly tough yet gentle assurance that he brought to his Sun records."[362] The performance on "In the Ghetto" is, according to Jorgensen, "devoid of any of his characteristic vocal tricks or mannerisms," instead relying on "the astonishing clarity and sensitivity of his voice."[363] Guralnick describes the tenderness in the singing of the same song of "such unassuming, almost translucent eloquence, it is so quietly confident in its simplicity" that one is reminded of the Sun period, "offering equal parts yearning and social compassion."[364] On "Suspicious Minds" from the same sessions Guralnick hears essentially the same "remarkable mixture of tenderness and poise," but supplemented with "an expressive quality somewhere between stoicism (at suspected infidelity) and anguish (over impending loss)."[361]
Music critic Henry Pleasants observes that "Presley has been described variously as a baritone and a tenor. An extraordinary compass ... and a very wide range of vocal color have something to do with this divergence of opinion."[365] He identifies Presley as a high baritone, calculating his range as two octaves and a third, "from the baritone low G to the tenor high B, with an upward extension in falsetto to at least a D-flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down."[365] In Pleasants' view, his voice was "variable and unpredictable" at the bottom, "often brilliant" at the top, with the capacity for "full-voiced high Gs and As that an opera baritone might envy".[365] Scholar Lindsay Waters, who figures Presley's range as 2¼ octaves, emphasizes that "his voice had an emotional range from tender whispers to sighs down to shouts, grunts, grumbles and sheer gruffness that could move the listener from calmness and surrender, to fear."[366] Presley was always "able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers," writes Pleasants, and also demonstrated a remarkable ability to assimilate many other vocal styles.[365]